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Metropolis explores the relationship between humanity, technology and power, translating monumental architecture, industrial rhythm and social division into a graphic composition inspired by a landmark of science-fiction cinema.

The Substance explores beauty, identity and bodily transformation, translating the film’s obsessive visual language, duality and physical excess into a provocative contemporary graphic composition.

District 9 explores segregation, transformation and otherness through science fiction, translating the film’s raw visual language and social tension into a direct contemporary graphic composition.

The Matrix explores reality, perception and technological control, translating the film’s digital language and philosophical tension into a graphic composition suspended between human identity and simulated experience.

Gattaca explores genetic perfection, identity and human determination, translating the film’s controlled futuristic world and tension between destiny and free will into a precise contemporary graphic composition.

Death Becomes Her explores beauty, immortality and the fear of ageing, translating the film’s dark comedy, grotesque transformations and obsession with eternal youth into a bold contemporary graphic composition.

Darkman explores identity, revenge and physical transformation, translating the film’s dark comic-book atmosphere and fragmented protagonist into an intense contemporary graphic composition.

RoboCop explores the collision between man, machine and corporate power, translating technological violence, identity and dystopian satire into a sharp contemporary graphic composition.

Seconds explores identity, rebirth and the desire to become someone else, translating the film’s psychological tension and fractured sense of self into a stark contemporary graphic composition.

The Fly explores transformation, identity and the fragility of the human body, translating the unsettling atmosphere of science fiction and body horror into a bold contemporary graphic composition.